forthcoming....


forthcoming:

may 18th-19th: field recording workshop, malmo, sweden

june 13th-20th: field recording workshop with Chris Watson & Jez riley French, Iceland

22nd june - 2oth august 2013: audible silence: the tate, sleeping and waking' - headphone piece exploring the hidden sounds of the Tate modern building, Tate modern, London

september 6-8th: field recording workshop with jez riley french & chris watson, norfolk, uk - places available

october 4-13th: installation (room tones / littorals), Spazioersetti galleria, Udine, Italy

october 11th: resonant terrain walk, castletown, portland as part of the b-side symposium

december 6-8th: field recording workshop with jez riley french & chris watson, norfolk, uk - places available

jez riley french - ‘instamatic: snowdonia’
a document of listening, simply
6 tracks focusing on fence wire recordings & listening to the wind
available as a limited edition, full size taiyo yuden cd mounted on an art card + additional postcard
Review by Daniel Crokaert from 'The Field Reporter' website:
In his Instamatic series, Jez riley French invites us to share his moments of fortunate listening like they are, without make-up nor intellectualizations, retouches or alterations of the source, except a careful selection and probably a bit of equalization…
A hike within some magnificent natural region of North Wales, namely Snowdonia, led Jez to look particularly into the wind, that wind which speaks to us, while sweeping at the same timeendlessly across ever changing landscapes…
that air which circulates, lifts, makes particles, objects and surfaces vibrate, suggesting their outlines and concrete features…
But, far more than a report about a physical truth, the work quickly switches over to the extra-ordinary, underlining a very personal way of experiencing, of giving another dimension to things, and our environment…
Vast palette of amplified metallic resonances of fences planted in the isolation of a still preserved nature…agitation, vibrations, ferruginous supplications…a whole universe stands out, and submits to the laws of another one…a unhurried play of echoes and reflections coming out of the insignificant, and which reminds us constantly that our perceptions are fluctuating, eminently subjective, and tributary of their “captation tools”, but that they can also be the starting point of unexpected emotions…
“There’s an aesthete within us all “ seems to be, roughly speaking, what Jez whispers to us.
Through his care, his methodical record, his sense of listening, the creation of his own range of microphones, Jez acts like a revealer, a non-standard intermediary…
“Snowdonia” succeeds in closing our eyes slipping us into a long travelling through shaggy herbs, dishevelled by an insistent breeze – a Malickian scene…
Just next to us, trembling & bending wires, streaking the rust tones of a jaded vegetation…pebbles shrouded in history shape long grey veins studding the country as far as the eye can see…in the faraway, the shadow of hills asleep, peaceful guardians of a permanent sight…
In our ears, clicks, muffled murmurs of cold metal, aeolian moan, all the tense sensoriality of the world…
“Snowdonia” ends up ringing like the name of a mythical place where one has rendezvous with the other-worldliness…that other-worldliness, disguised under common appearances, here finely caught, and alongside which we often pass by in total indifference…

Wednesday, 17 June 2009

interview with Isobel Clouter & Rob Mullender

late last year and/oar released the cd 'myths of origin' by Isobel Clouter & Rob Mullender:




At long last, after a culmination of delays amounting to 3 years,
and/OAR is extremely happy to finally present a full length release
featuring "singing sand" and "booming sand" recorded in Japan and
Mongolia by British sound artists Isobel Clouter and Rob Mullender.
"Singing sand", "booming sand", "whistling sand" or "barking sand"
is sand that produces sounds of either high or low frequency under
pressure. The sound emission is usually triggered by wind passing
over dunes or by walking on the sand.

Also featured are field recordings of a traditional Japanese Sawara
Matsuri festival, a Suikinkutsu (underground water zither), Uguisubari
(or Nightengale floor), Chion-in temple and Saiho-ji temple .

The recordings came about as a result of a project instigated in late
1999, which bears witness to a long held fascination with how the
environment generates and shapes culture, memory and myth. There
was no desire to conduct any scientific or anthropological field work,
but to collect a set of recordings which would serve to illustrate how
precious the sonic environment can be, and to act as founding
materials for a soundscape collection at the British Library Sound
Archive.

Track listing:
1. Sawara matsuri, Singing sand, Suikinkutsu
2. Kotohiki-hama - Kotoga-hama beaches
3. Chion-in temple, Nightingale floor, Saiho-ji temple
4. Dune ascent / descent
5. Aosigetunoer descent
6. Baoritaolegainuoer Natural Booming
7. Baoritaolegainuoer descent
8. Dune 3 descent
9. Tibetan Prayer wheels, Xiahe

The audio CD also features a PDF of extra photos pertaining to the
recordings that can be accessed on a computer, and comes
packaged in a four color digipak and a 12 page booklet.

This CD is dedicated to the memory of Professor Shigeo Miwa, whose
warm generosity and enthusiasm was invaluable to the success of
this recording project, and whose work is mentioned in an interesting
article about booming sand and the environment, a PDF of which can
be found here .



over the past few months I have been sending questions to Isobel & Rob as part of and/oar's on going interview series. You can read the full article here.

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