forthcoming....


forthcoming:

may 18th-19th: field recording workshop, malmo, sweden

june 7th: invited speaker, sounding space symposium, Chelsea college of Art and Design, London

june 13th-20th: field recording workshop with Chris Watson & Jez riley French, Iceland

22nd june - 2oth august 2013: audible silence: the tate, sleeping and waking' - headphone piece exploring the hidden sounds of the Tate modern building, Tate modern, London

July 11th-14th: workshop, Alghero, Sardinia

July 15th-20th: jez riley french & pheobe riley law @ Stazione Topolo festival, Italy

september 6-8th: field recording workshop with jez riley french & chris watson, norfolk, uk - places available

october 4-13th: installation (room tones / littorals), Spazioersetti galleria, Udine, Italy

october 11th: resonant terrain walk, castletown, portland as part of the b-side symposium

november 23rd-24th: a quiet position: south hill park - 2 day field recording workshop

november 25th: individual tutorials + listening group presentation, Oxford Brookes Uni, Oxford

december 6-8th: field recording workshop with jez riley french & chris watson, norfolk, uk - places available

jez riley french - ‘instamatic: snowdonia’
a document of listening, simply
6 tracks focusing on fence wire recordings & listening to the wind
available as a limited edition, full size taiyo yuden cd mounted on an art card + additional postcard
Review by Daniel Crokaert from 'The Field Reporter' website:
In his Instamatic series, Jez riley French invites us to share his moments of fortunate listening like they are, without make-up nor intellectualizations, retouches or alterations of the source, except a careful selection and probably a bit of equalization…
A hike within some magnificent natural region of North Wales, namely Snowdonia, led Jez to look particularly into the wind, that wind which speaks to us, while sweeping at the same timeendlessly across ever changing landscapes…
that air which circulates, lifts, makes particles, objects and surfaces vibrate, suggesting their outlines and concrete features…
But, far more than a report about a physical truth, the work quickly switches over to the extra-ordinary, underlining a very personal way of experiencing, of giving another dimension to things, and our environment…
Vast palette of amplified metallic resonances of fences planted in the isolation of a still preserved nature…agitation, vibrations, ferruginous supplications…a whole universe stands out, and submits to the laws of another one…a unhurried play of echoes and reflections coming out of the insignificant, and which reminds us constantly that our perceptions are fluctuating, eminently subjective, and tributary of their “captation tools”, but that they can also be the starting point of unexpected emotions…
“There’s an aesthete within us all “ seems to be, roughly speaking, what Jez whispers to us.
Through his care, his methodical record, his sense of listening, the creation of his own range of microphones, Jez acts like a revealer, a non-standard intermediary…
“Snowdonia” succeeds in closing our eyes slipping us into a long travelling through shaggy herbs, dishevelled by an insistent breeze – a Malickian scene…
Just next to us, trembling & bending wires, streaking the rust tones of a jaded vegetation…pebbles shrouded in history shape long grey veins studding the country as far as the eye can see…in the faraway, the shadow of hills asleep, peaceful guardians of a permanent sight…
In our ears, clicks, muffled murmurs of cold metal, aeolian moan, all the tense sensoriality of the world…
“Snowdonia” ends up ringing like the name of a mythical place where one has rendezvous with the other-worldliness…that other-worldliness, disguised under common appearances, here finely caught, and alongside which we often pass by in total indifference…

Saturday, 17 January 2009

new release: Andrea Polli - 'Sonic Antarctica'


Sonic Antarctica Andrea Polli


Gruenrekorder


'Sonic Antarctica' features natural and industrial field recordings, sonifications and audifications of science data and interviews with weather and climate scientists. The areas recorded include: the „Dry Valleys“ (77°30′S 163°00′E) on the shore of McMurdo Sound, 3,500 km due south of New Zealand, the driest and largest relatively ice-free area on the continent completely devoid of terrestrial vegetation. Another is the geographic South Pole (90°00′S), the center of a featureless flat white expance, on top of ice nearly nine miles thick.


The 'Sonic Antarctica' Project is a radio broadcast, live performance as well as a sound and visual installation. It features recordings of the Antarctic soundscape made during Andrea Polli’s seven-week National Science Foundation residency in Antarctica during the 2007/2008 season.


Polli recently spent seven weeks in Antarctica on a National Science Foundation funded project www.90degreessouth.org. The investigation of storms as wel as of the heat and the heartbeat of New York has been among her earlier projects. For this and related work, she has been recognized by the UNESCO Digital Arts Award 2003.


The Antarctic is unlike any other place on earth: geographically, politically and culturally. Larger than the US, it is a frontier where borders and nationalities take a back seat to scientific collaboration and cooperation, a place where the compass becomes meaningless, yet, navigation is a matter of life and death. It is an extreme environment that holds some of the most unique species. But it is also an ecosystem undergoing rapid change. 2007/2008 marks the fourth International Polar Year (IPY), the largest and most ambitious international effort to investigate the impact of the poles on the global environment.


10 Tracks (69min 05sec), (500 copies), Audio CD (Digipack)




a full review will be posted as soon as i've given this one a good few listens !

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