forthcoming....


forthcoming:

may 18th-19th: field recording workshop, malmo, sweden

june 13th-20th: field recording workshop with Chris Watson & Jez riley French, Iceland

22nd june - 2oth august 2013: audible silence: the tate, sleeping and waking' - headphone piece exploring the hidden sounds of the Tate modern building, Tate modern, London

september 6-8th: field recording workshop with jez riley french & chris watson, norfolk, uk - places available

october 4-13th: installation (room tones / littorals), Spazioersetti galleria, Udine, Italy

october 11th: resonant terrain walk, castletown, portland as part of the b-side symposium

december 6-8th: field recording workshop with jez riley french & chris watson, norfolk, uk - places available

jez riley french - ‘instamatic: snowdonia’
a document of listening, simply
6 tracks focusing on fence wire recordings & listening to the wind
available as a limited edition, full size taiyo yuden cd mounted on an art card + additional postcard
Review by Daniel Crokaert from 'The Field Reporter' website:
In his Instamatic series, Jez riley French invites us to share his moments of fortunate listening like they are, without make-up nor intellectualizations, retouches or alterations of the source, except a careful selection and probably a bit of equalization…
A hike within some magnificent natural region of North Wales, namely Snowdonia, led Jez to look particularly into the wind, that wind which speaks to us, while sweeping at the same timeendlessly across ever changing landscapes…
that air which circulates, lifts, makes particles, objects and surfaces vibrate, suggesting their outlines and concrete features…
But, far more than a report about a physical truth, the work quickly switches over to the extra-ordinary, underlining a very personal way of experiencing, of giving another dimension to things, and our environment…
Vast palette of amplified metallic resonances of fences planted in the isolation of a still preserved nature…agitation, vibrations, ferruginous supplications…a whole universe stands out, and submits to the laws of another one…a unhurried play of echoes and reflections coming out of the insignificant, and which reminds us constantly that our perceptions are fluctuating, eminently subjective, and tributary of their “captation tools”, but that they can also be the starting point of unexpected emotions…
“There’s an aesthete within us all “ seems to be, roughly speaking, what Jez whispers to us.
Through his care, his methodical record, his sense of listening, the creation of his own range of microphones, Jez acts like a revealer, a non-standard intermediary…
“Snowdonia” succeeds in closing our eyes slipping us into a long travelling through shaggy herbs, dishevelled by an insistent breeze – a Malickian scene…
Just next to us, trembling & bending wires, streaking the rust tones of a jaded vegetation…pebbles shrouded in history shape long grey veins studding the country as far as the eye can see…in the faraway, the shadow of hills asleep, peaceful guardians of a permanent sight…
In our ears, clicks, muffled murmurs of cold metal, aeolian moan, all the tense sensoriality of the world…
“Snowdonia” ends up ringing like the name of a mythical place where one has rendezvous with the other-worldliness…that other-worldliness, disguised under common appearances, here finely caught, and alongside which we often pass by in total indifference…

Tuesday, 24 June 2008

new release of note: Marc Namblard - 'Chants of frozen lakes'

click here for more info.

Coming soon will be an interview with Marc & Yannick Dauby (this release is the first full cd on his Kalerne editions label)

Marc Namblard, sound artist and naturalist living in the northeast of France, has spent several years listening to and recording an acoustic phenomenon occurring in the winter time. The tiniest crackles inside the ice of frozen lakes produce mechanical vibrations. Under specific atmospheric conditions, these impulses propagate in the ice, whose tension makes it similar to the skin of a drum. (from the Kalerne website)
First, one has to listen to this disc enough times for the initial curiosity to subside. The strange, elastic sounding twangs of the ice seem impossible to capture without the use of contact mics. However the sleeve notes make it clear that all the sounds here were recorded using condenser mics. Similar sounds, although with a raw edge, have also been captured by Andreas Bick & can be heard as part of his 'fire pattern - frost pattern' composition here.
Once one gets over that first enjoyment of the simple sounds it's possible to discover whether this release offers more, stands as something more than a document of the sounds. It does.
During the 55 minute duration (extracted from hours of recordings made on the 16th January 2006) the piece moves forward, holding the listeners attention and offering much from repeated hearings. From the first sounds of the frost crossing paths with the plants surrounding the lac de Pierre Precee, to the increasing effects of the sun on the ice sheets, the tension building and broken and finally disappearing, I'd say this is a cd that got the release it deserved and does that difficult thing - it documents a natural sound phenomenon and represents the artists practice without either overpowering the result for the listener.

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